Nathan Straub

Never Have a Voice Crack Again (that you care about)

I was in the 11th grade, auditioning for the solo in Bohemian Rhapsody, in front of the entire choir. My voice cracked three times, each one more psychologically devastating than the last. At last, the director relented, and gave the solo to another singer.

Why did this happen? Well, 14 years later, I can tell you exactly why.

What is a voice crack? It is a sudden switch in vocal register from chest voice or mixed voice to a pure head voice. That’s it. A flip of a switch. Your vocal folds switch from a thicker adduction, to a more thin one.

So why does this switch take place? Your vocal folds are vibrating rapidly, relying entirely on air pressure. Not too much, not too little. Keep it consistent, and the voice will fly gracefully as a hummingbird. But if the air pressure changes, all hell breaks loose.

To make matters worse, mixed voice (the combination of head voice and chest voice) requires all the more consistency of air flow, due to the sophisticated physiological gymnastics required to navigate the passaggio (the place in your voice where you are most likely to crack).

So what’s the ‘trick’ to never crack again? Trick question! There are two.

  • Always sing in head voice.

If you always sing in head voice, your low notes will be barely audible, your high notes will sound a bit hollow, and your mid will sound a bit lacking, but your voice will NEVER crack. Simply because, there is nowhere to crack to! (However, keep in mind that at the bottom of your range, you may be at risk of crack DOWN into chest voice.)

  • Always maintain consistent air flow through your vocal folds

This is the answer most of us are looking for, but it is also the much longer road. I can teach a student to use head voice in a single voice lesson, but to master breath support is an accomplishment I am not sure I have ever seen, short of the greats (Lawrence Brownlee, Luciano Pavarotti, etc).

The following exercises will greatly any singer who is looking for their edge in the breath control game.

  1. Lip drill

Your lips drill using the same Bernoulli Principle upon which your vocal folds rely. Thus, if you are physically able to do a lip drill, then you can practice breath support by singing on a lip drill. Make sure to pay attention to those moments when the drilling stops. That is where you relaxed your breath!

2. Lay down.

Who can argue with that?? But seriously, lay on your back, place a small book under your head to maintain alignment with your spine, relax your body, and breathe. You may be shocked to see your stomach rise with every breath, while your ribs barely move at all. This “cheat code” gives you the perfect singing posture, if horizantal. Singing in this position while paying attention to what breathing feels has greatly assisted my students in mapping their singing to the proper breathing muscles.

3. Repeated five finger scales

If C = 1, D = 2, … G = 5, then sing the following scale: 1-2-3-4-5-4-3-2-1 multiple times, connected, which each scale on a syllable of the phrase “I love to sing so much it really makes me glad.” This should sound something like I-I-I-I-I-I-I-I Lah-ah-ah-ah-ah-ah-ah to-oo-oo-oo-…. (you get the idea!). If you are doing it correctly, your stomach will begin to grow sore as you run out of air. This will especially be the case if you do the exercise multiple times. Feel free to change the starting note to wherever is comfortable.

What is good breath control, anyway? (Or breath support, breathing from the diaphragm, good breath, etc.)

Physiologically, it is the act of controlling, with great discipline, the air pressure moving through your vocal folds by using your abdominal muscles primarily (and especially the ones located in your epigastric region), and intercostal muscles secondarily. If you can pant like a dog, you will find the epigastric region! Intercostal muscles are the ones located between your ribs, and they are mainly used to keep your ribcage open, so as not to impede on the flow of air.

So there you have it. Zero tolerance of voice cracks? Use head voice! Otherwise, use the exercises above to master breath control and stake your claim in the world of expressive singing.

Connections: The Musical Scientific Method?

When most people hear “the scientific method,” their faces glaze over and memories of middle school chemistry class and dissecting frogs come to mind. There is certainly no one in my inner circle who associates the phrase with music! But if we seek its principles in music, then we find an amazing connection because music is filled with logical thought processes!

Music and Volunteerism

Music and Volunteerism

By Kate MacKenzie

One of the best perks of being a musician is having the unique ability to put smiles on the face of others. Even someone who is just beginning their musical journey, there are plenty of people who would love to hear them play. Giving back to the community, even in small ways, is important. What can you do use music to spread peace and joy? I have some ideas for you!

Your Student, The Master

Your Student, The Master

By Justin Hansen

As a teacher, I have discovered quickly that a certain measure of success lies in how well we remain open to a diet of new information—and how we seek it out as well.

And while the internet is a great source of information including sound files, video clips and uncountable wiki’s, some of the most useful things I have learned as a music teacher come from my students.

Why Should We Practice Scales

Why Should We Practice Scales

By William Muñoz

Learning scales is one of those aspects of being a musician that you cannot simply avoid. At some point, you will have to learn them and the quicker you start tackling them the better. But why do we need to practice them? The short answer is that they are a fundamental aspect of mastering music and playing a musical instrument. 

Transposing at the Keyboard

Transposing at the Keyboard

By John Hart

Last December, I wrote a blog entitled “The Well-Balanced Musician” where I outlined 7 different skills that a musician should develop over time: sight-reading, chart-reading, transposition, embellishment, free improvisation, song-writing, and composition. Today, let’s discuss “transposition” on the keyboard.

Busting Myths: Starving Artists Aren’t Real

Busting Myths: Starving Artists Aren’t Real

By Megan Grady

Do you have a student who’s extremely musically or artistically inclined or one who is passionate about pursuing the arts for college and beyond? Does the idea of your child trying to “make it” as an artist worry you? I’m here to unpack the antiquated idea that a career in the arts is a death-sentence on your salary, lifestyle or economic stability/mobility. Sure, it requires a lot of hard work to sustain a life as a musician (or other artist) and there are certain aspects that are far short of perfect, but who’s job is really secure and perfect these days?

The Secret to Practicing Smart

The Secret to Practicing Smart

By Max Walker

Everyone knows that to gain proficiency in anything, one must practice diligently. This is where we often hear the saying “if you devote ten thousand hours to your craft, you will become a master”. However, while practice is necessary to master any skill, it is not quite as simple as doing anything related to your craft for a vast amount of time. To truly master something, you must not only practice, you must practice right. While there are a multitude of angles for looking at smart practice, I will be covering several categories that have helped shape my own practice routines. These three ‘pillars’ of practice are: consistency, focus, and variety. I hope that this outline might shed some light on mapping out a daily routine, and maintaining it.